Födelsedagen

My birthday in Sweden featured the best-ever beginning when the birthday carolers came to my door at midnight:30, with harmony and hugs. I didn’t even know there were two verses!

I had a fun day-trip to Uppsala, where I bought myself a most excellent book, Jul i Stora Skogen (Christmas in the Big Woods). The cover features cute woodland animals playing music and dancing around a tree, so you can tell the story is equally charming. Highly suitable, as they say, for us 3–6 year olds. Though I’d venture some of us consult googletranslate more often than others.

Chloe made an Indian dinner for everyone who was home, and Andrea made special chocolate chip birthday cookies, plus extras so we can make ice cream sandwiches with them. I had a few nice skype calls, and I got umpteen skazillion bday wishes on Facebook in an entertaining variety of languages. Overall a very pleasing day.

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Igloo

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Julkonsert

Our Christmas concert came together into a very pleasing show. In contrast with the fall concert, this performance included both the playing class and the dance class. It was fun to introduce more collaboration. There were more opportunities for smaller groups, not quite so much everyone-playing-most-of-the-time. And of course opps for the musicians to play for dancing. And for the dancers to play (everyone played in the final number), and the musicians to dance.

We’d heard that previous classes haven’t always had a good time working together, so I was glad to find that our group continued to get along well and in good humor throughout the weeks of prep. Though occasionally, in the early stages, the balance seemed to tip until it felt like we were a bit more about the democratic process than about the music… But we did also benefit from super-skilled coaching from each of the music and dance teachers. It was especially interesting to have feedback from dance teachers about playing for dancing.

My three most visible bits of the show were a solo halling — on 5-string fiddle with an open tuning, D-A-D-A-E — for a solo dance by David, a duo Kyrkpolskan (av Lars Näsbom) with Elisabet, and a trio playing Beethoven polska (av Eric Sahlström) with Elisabet and Einar. And my much-practiced brief Swedish intro to the Sahlström tune — which I think was fully intelligible, inasmuch as nobody admitted otherwise. I learned that I would like to manufacture more opportunities to practice playing solo for dancers, which I have been neglecting in pursuit of the different-but-overlapping joys of duo playing.

After the concert there was of course spel till dans (playing for dancing), leading off with special appearances by our illustrious faculty — a set by Olov and a set by Ditte. Later in the evening, Andrea and I played a half-hour set together as well, which was fun.

(Thanks to Petra for pics; I didn’t get any of my own.)

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Julkonsert prep: lots of baking

Student concerts at ESI feature home-baked goodies for fika, so we had a big baking party. I confess that most of my personal contribution entailed staying out of the way, plus an occasional round of photo documentation, but all will have to admit that the delicious results spoke for themselves.

While I’m at it, I’ll throw in a couple pics from other kinds of prep. But mostly not from our two long weeks of intensive rehearsals and coaching, which you can imagine on your own.

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Lucia at ESI

(The longer I didn’t go and fetch my camera, the later it became, so there are only these few pics from Petra’s new camera as wielded by Johannes.)

Super-sweet: the ESI staff provided our own little Lucia pageant during morning fika. Stina baked lussekatter and served glogg, and set the serving table with even more festive candles than usual. We received lyric sheets and sang along a bit. It was all quite charming.

My new favorite cute Xmas song: Tomtarnas julnatt is about tomtar (elves, more or less) tiptoeing about and enjoying the yummy food left out for them. Ours didn’t look the least bit like this, but it would be fun if it had:

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Builders’ seminar and spelträff

This weekend ESI hosted the semiannual gathering of nyckelharpa builders — beginning with a Friday evening gathering, at which a number of us performed a short set of tunes in prep for the upcoming Xmas concert, and then a full day of Saturday programming, all organized by Esbjörn Hogmark. We were invited to join them for the presentations and discussion. There were maybe a couple dozen builders present altogether, and each brought his (they were all men) latest instrument(s), completed or in progress, to share. A couple of ESI students who are instrument-shopping used the opportunity to play some of the new harpas.

I especially enjoyed Per-Ulf Allmo’s latest slides of historical representations (mostly church paintings) of nyckelharpa predecessors. (If you haven’t seen his recently published e-book on History of the Nyckelharpa (PDF), complete with lots of cool photos and even a map, check it out!)

However, I could have done without the long meandering discussion, late in the afternoon, in which a bunch of non-web-tech harpa builders look at each other’s web sites to no apparent purpose. (A gallery of dozens of pictures in no order, really? Featuring your cat, really?)

After he wrapped up the afternoon proceedings, Esbjörn carved out some time to fix a couple of my most problematic loose tangents, so I’d be able to play the Xmas concert with a well-behaved instrument. Yaay! The fix involves pulling out the offending tangent, cutting a notch in its base, whittling and inserting in a small wedge to make the base a little wider, and gluing the wedge into the peg. The operation all looks quick and easy when performed by a master, but I am pretty sure it would take me longer than 20 minutes to do them myself.

In the evening, I took the train to Uppsala and hitched a ride with Sture Hogmark to another spelträff at Alice’s house in Grillby. It was a very pleasant evening featuring glogg (with nuts and raisins, of course), yummy dinner, and many tunes.

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